Well  I suppose everyone has to misstep at sometime, right? That's how I feel  about Neil Marshall's sword epic "Centurion". Although Marshall has  created an instant classic horror with "The Descent" and an 80s  throwback romp with "Doomsday", his pseudo-historical (actually I have  no idea how historically accurate this film is) sword and survival film  tends to stumble on its way to glory. With some seriously awesome visual  style and a great cast, its actually fairly sad to see it falter, but  it does. 
Quintus Dias (Fassbender) is the lone survivor of a  Picts attack on his Roman outpost. Taken hostage, he finally escapes and  finds his way into the arms of the Ninth Legion. This legion is sent on  a mission of brutality to thrown down with Picts in Britain for Rome to  establish a great empire up north. When the Picts show they are more  warrior than the Romans, the remaining members of the Ninth Legion have  to get to safety very quickly. Hunted by a female tracker with no tongue  and a knack of killing everyone in her wake, these few Romans will have  to do anything to survive.
There is one thing that I have to  give "Centurion". They certainly do know how to make the action  sequences brutal. Despite my disappointment with its first act speed  racing through characters, plot points, and random settings to get us to  where we needed with the Ninth Legion marching into Britain, I'll be  damned if the action sequences didn't have my eyes light up with glee in  its brutality and sheer destructive awesomeness. Medieval battles do  appear in rather over the top excess and its quite awesome. Partnered  with Marshall's penchant for epic shots and gloomy settings, these are  easily the highlight of the film. By the time the Picts ambush the Ninth  Legion with giant flaming balls of raining pain (queue Manowar track  "Wheels Of Fire" at this point) followed by a bloodbath, that's not an  exaggeration, this film really dishes out the dark age brutality.
Unfortunately,  there isn't a whole lot of substance to back up the visual magic of  "Centurion". Characters seem rather dull and forgettable if not killed  far too quickly to actually gather any audience empathy for their plight  and the story seems to rush its first act at light speed to get to a  rather monotonous chase sequence that only is made interesting by its  rapid change of settings. With some solid actors and actresses, its sad  to see them squandered away with the poorly painted 'heroes' and  'villains' of the picture. 
To say that "Centurion" turned out to  be a larger disappointment than I wanted is one helluva understatement.  It looks great and is littered with grand battle sequences of swords  and arrows, but it lacks significantly in its depth and character work.  This creates a feast for the eyes, but rarely for the mind.
BONUS  RANT: What's with the flying credits? Now it shows off some great  scenery and gives it a very modern flair, but when the end credits  popped up and did the same thing, I felt like I was missing something. I  just don't get the why I guess. 
Written By Matt Reifschneider 
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