One Cut of the Dead (2018)

Director: Shinichiro Ueda

Starring: Takayuki Hamatsu, Mao, Harumi Shuhama, Yuzuki Akiyama, Kazuaki Nagaya

Struggling to get one of his main actresses in character during a film shoot, director Higurashi (Takayuki Hamatsu) snaps and storms off stage after an abundant amount of takes. We follow the crew during an unplanned break as the director trys to cool down and the actress tries to focus on her performance. In the midst of this behind the scenes meltdown, one of the extras in their zombie movie get up seems to be a little more than well made up and what ensues is a chaotic bloodbath of zombie action that unfolds in real time in one long unbroken 45 minute or so take, immediately stunning the audience from frame one.

One Cut of the Dead is easily the most exciting genre film of the year and an indie film rock star in its native Japan, raking in over 2000 times it's roughly micro $27,000 budget, opening on a mere two screens and with no money spent on an advertisement campaign. I am never one to even bring up box office, especially in a review, but it's an extremely impressive feat, regardless on your stance with the film. That said, I think One Cut is the unexpected cult film of 2018. The one that quickly snuck up and leapt to the top of the throne, standing firmly amongst the best midnight classics. The Shaun of the Dead of the 2010s if you will.

Action!!!

Characters are one of the many highlights of this zombie laugh fest. The angry director who keeps cropping up and yelling "Action!" as he shoves his camera into the fearful faces of his performers who have stopped acting and started attempting to survive. He keeps the chaos alive and well. Another fun character is the make-up artist, played to perfection by Harumi Shuhama, who is the one in these types of movie who practices self-defense as a hobby which conveniently and hilariously plays into the oncoming zombie attack. Pom!

The way the story unfolds and how the narrative is a play on structure, is surprising, and very refreshing. From an impressive technical and gory one-take that will impress every type of movie goer, to a shift towards a more conventional form of storytelling and overall tonal shift that completely works, One Cut manages to surprise at almost every turn. Little things that raise questions or seem accidental upon initial reveal are all handled and accounted for as things play out. On multiple occasions, I found myself envious with the choices being made, wishing I had come up with something similar myself.

Pom!

I could go on extensively with praise and covering every angle of this movie, but there  is a simple way to pump the breaks and wrap things up here. One Cut of the Dead is a hilarious, bloody romp with enough heart to make any genre fan blush. It's easy to see why it's been such a huge success. Very hard not to fall in love with a little film as charming as this one. Wherever Shinichiro Ueda decides to head next, I hope it has even just a fraction of the passion on display here. The most fun I've had with a movie all year!

Written by Josh Parmer

The Marine 6: Close Quarters (2018)

Director: James Nunn

Notable Cast: Mike ‘The Miz’ Mizanin, Shawn Michaels, Rebecca ‘Becky Lynch’ Quin, Louisa Connolly-Burnham, Terence Maynard, Tim Woodward, Martyn Ford, Anna Demetriou, Michael Higgs

The Marine series has two things going for it that make me come back to it again and again. Firstly, it’s old school grounded and cheesy B-action. Secondly, it’s a franchise. I’m a sad sucker for both of those things. Even though I have never been a WWE fan, WWE Films has been doing some decent stuff on the straight to home video action market and I have no reason not to support them in their endeavors. Although The Marine franchise started off on a rocky road, requiring three different stars as three different characters in the first three films to mixed results, the series has strangely gotten better as it has gone on. Although The Marine 5 was met by mixed reactions from fans, it was easily one of my favorites thanks to its tongue-in-cheek attitude and solid direction from B-movie action director James Nunn. The Marine 6: Close Quarters does the smart thing and brings back The Miz’s Jake Carter for another round of beatdowns and bullet dodges along with Nunn in the director’s chair. While the results of this film are a bit less entertaining than the last for me, The Marine 6 brings another healthy dose of cheesy action to its fans and it’s another fun entry into this surprisingly enjoyable franchise.

The Blood Splatter: Illang: The Wolf Brigade (2018) / Final Score (2018)

ILLANG: THE WOLF BRIGADE (2018)

Director: Kim Jee-woon

Notable Cast: Gang Dong-won, Han Hyo-joo, Jung Woo-sung, Kim Mu-yeol, Han Ye-ri, Choi Min-ho, Shin Eun-soo

For the record, I’m not all that familiar for the source material behind Kim Jee-woon’s adaption of what is highly considered a classic piece of modern culture. Perhaps he does a lot of unique things with it, spinning its core ideas and messages in fresh ways that inspire confidence in fans. I couldn’t tell you otherwise. Or, maybe, Illang: The Wolf Brigade falls short and comes off as a film that stumbles in reaching its lofty goals as a futuristic action flick with its social and political messaging. For my money, despite some great elements, Illang falls into the latter. Judging the film on its own merits, of course.

Mrs. Fang (2017)

Director: Wang Bing
Featuring: Fang Xiuing plus Her Family and Friends

Mrs. Fang is 68 years old and has an advanced form of Alzheimer's disease, and she is bedridden, accompanied with care and watched over by her daughter and son. Various family members and friends pop in and out on her, closely observing her last ten days of existence on this Earth. Death is inescapable and Wang Bing's examination of the final stage in life simply has no padding. For better or for worse, we see this woman lay through her final days and then fade into what ever lays beyond. It is a tough watch and will leave many a viewer divided.

I don't think there is much to really spoil here as there is no way to not know how things will turn out, but the way in which the film transitions into observation of Mrs. Fang's deteriorating health is abrupt and shocking. Things happen in life unexpectedly and a hard cut mere minutes into the documentary greatly reflect the cold possibilities that life may throw one's way. The Alzheimer's was there for some time, although the specifics are unknown, and at just the snap of a finger, only some months later, she is on her back, skin tightened and drawn in, her teeth protruding from her mouth indefinitely, appearing much thinner than before and it isn't known whether she is aware of much of anything going on around her or not at this point.

Bloody Spear at Mount Fuji (1955)

Director: Tomu Uchida

Notable Cast: Chiezo Kataoka, Ryunosuke Tsukigata, Chizuru Kitagawa, Yuriko Tashiro, Daisuke Kato, Eitaro Shindo

The Arrow Academy label, which covers the arthouse titles for the more cult focused Arrow Video, is not a label that we cover in full here at Blood Brothers. Occasionally they drop something of interest that ends up on our reviewing queue. Most recently, they released the 1955 Japanese film, Bloody Spear at Mount Fuji. Intriguingly enough, despite its fantastic new art on this Blu Ray release, the visceral title, and plenty of other indicators (like the original poster,) Bloody Spear at Mount Fuji is not an action film. Going into the film, I certainly had expectations that it would be an old school action film, perhaps, similar to some of the material that Criterion has put out from this same era, but that is not the case. This film is more fittingly a dramatic comedy or a comedic drama, depending on the scene. In these regards though, the film is actually a masterpiece in tonal balance, utilizing its road trip narrative to deliver some fantastic satire, tragedy, and its own oddities of storytelling. This may not be the brimming tense and action packed film the title would make an audience assume, but, quite frankly, it’s a brilliant film in its own way.

Communicating with the Dead: The American Pulse Franchise

After the success of The Ring (followed by the success of The Grudge,) the Hollywood money machine was emboldened to remake every J-horror or J-horror influenced film that they could find. It didn’t matter how good or bad the source material was, if it made money or was even warmly regarded critically, it was fodder for the Hollywood slaughter. This is where Kairo, also known as Pulse, comes into play. The original film is a stark and artistic horror film, intent on crafting vague messages about the relationship between society and technology, that has earned its fair share of mixed reactions since its release. For one, I am a massive fan of Kairo and you are welcome to dig into my review of the Arrow Video Blu Ray release of the film HERE for some more in-depth context to understand the rest of this article and review. There will often be comparisons to it through the next section that focuses on the first entry of the American Pulse series, but it felt necessary to address some of the context for the following. It’s during this time frame that Kurosawa’s Kairo was picked for a Hollywood adaption and the results are interesting at best and insulting at worst.

12 Monkeys (1995)

Director: Terry Gilliam

Notable Cast: Bruce Willis, Brad Pitt, Madeline Stowe, Christopher Plummer, David Morse, Jon Seda, Christopher Meloni, Frank Gorshin, Vernon Campbell, Lisa Gay Hamilton

Time travel movies can, in a broader sense, be sticky. More often than not for them to work, the film either has to completely disregard trying to make sense and just plow through with its gimmicks or it has to make any plot holes irrelevant to the narrative. When it comes to a film like 12 Monkeys, it’s the sense of style and strange quirkiness to its proceedings that allows it to move above and beyond the normal trappings of the time travel focused science fiction flick. This late 90’s cult classic from the iconic Terry Gilliam is able to find that right balance between artistry and consumption, humor and horror, and the line between tongue-in-cheek and dramatic heft. Quite frankly, despite being one of the last (only?) true studio productions for the British director, it inherently features all of his style, but in a more packaged and easier to swallow product. It’s an effective combination. On top of being a brilliant film, this latest Blu Ray release for 12 Monkeys is a welcome upgrade for fans. It’s packed with features to add even more commentary and substance to the off beat and unique film and its context.

Deadbeat at Dawn (1988)

Director: Jim Van Bebber

Notable Cast: Jim Van Bebber, Paul Harper, Megan Murphy, Marc Pitman, Ric Walker

Diving into the new Blu Ray release of Deadbeat at Dawn from Arrow Video was something for an adventure for me. Mainly, I had never even heard of the film prior to its announcement by the cult cinema releasing label. When it was announced, my initial reaction was to not do any research on the film prior to seeing it and go in completely blind. It’s not often that I am able to do that with films – particularly those released by a larger label – so even the idea of a fresh experience was somewhat exciting. Intriguingly enough, what I found with Deadbeat at Dawn was the epitome of a DIY film that looked like it was made for $200 and a bottle of whiskey. Even with its incredibly raw and rough around the edges approach, it’s easy to see why the film has garnered a cult audience with its almost punk-like approach and energetic appeal to low budget cinema. This isn’t a film that reaches too far above its means, like The Driller Killer or something of that ilk, but it is a film that has plenty of admirable qualities that generally even out its rough patches.

Suspiria (2018)

Director: Luca Guadagnino

Notable Cast: Dakota Johnson, Tilda Swinton, Mia Goth, Chloe Grace Moretz, Angela Winkler, Ingrid Caven, Elena Fokina

Remakes are a contentious subject for movie fans. I don’t necessarily share most of the feelings, as I believe a good film can be a good film regardless of its connection to its source material, but after years of terrible remakes, it’s hard not to have some understanding for the hatred. When it comes to a classic film with a very rambunctious and vocal fan base like Suspiria, having a remake was already going to be a hotly debated topic even if it is a great film. This is what makes the multi-award nominated director Luca Guadagnino’s version of this horror classic such a fascinating remake. It’s a very good film. It’s shies of being great, for some reasons that will be further explained below, but 2018’s Suspiria is a massively fascinating and true reinterpretation of the original film. This is not Argento’s version simply modernized and watered down for mainstream consumption that traps so many horror films. This is truly a unique spin on the classic, incorporating its own key elements, loosely following the core plotting of the original, and developing some fantastically disturbing and refreshing themes. Even for fans of the original, if you’re a cinephile, you’re going to find plenty of things to respect about the film, even if you have a full-hearted love for the original.

Alipato: The Very Brief Life of an Ember (2016)

Director: Khavn
Notable Cast: Khavn, Dido De La Paz, Marti San Juan, Robin Palmes, Bing Austria

This is not a review of Alipato: The Very Brief Life of an Ember.

I am slowly diving into the mad mind of Khavn, the Filipino equivalent of... well, no one comes to mind and if they did, they would be comparable to he, as frankly I've never experienced anything quite in the vein of this particular work. The few peaks I've had into his other works, I can say... he is truly one of a kind. I have only two of his films behind me, Ruined Heart: Another Love Story Between a Criminal and a Whore, and this one. While I think the former is a more "enjoyable" work, this is easily a more accomplished and uncompromising piece.