Notable Cast: Kazuki Kitamura, Michisuke Kashiwaya, Tomorowo Taguchi, Dan Li, Show Aikawa, Naoto Takenaka, Samuel Pop Aning, Oh Far-long
To finalize his thematically connected Black Society Trilogy, Takashi Miike goes for a combination of the
first two (Shinjuku Triad Society and
Rainy Dog) for the third entry Ley Lines. While this idea seems very
promising at its conception, the resulting mix that arrives in Ley Lines is a tad underwhelming
particularly when the expectations are so high. The film is still an ambitious
and artistic venture into the world of outsiders and their connection to
organized crime and certainly deserves a lot of praise thrown its way, but it’s
not nearly as entertaining in its grit nor is it as stylized in its
characterizations as the previous entries. On its own, it’s still an
accomplished work showing Miike’s directorial pizzazz at being able to weave
exploitative elements with dramatic heft and thoughtful exploration of its
themes, but at the same time the film tends to fall off balance with a few
sequences that undercut the whole.