Hear Matt and Sean defend a film with a 7% Rotten Tomatoes score! Cower beneath the exploding hair of a spin-off! And then listen to them... wait, is that a magic well in Matt's backyard? Matt and Sean spent New Years watching cursed video tapes, and now, almost seven days later, it's time to discuss the final four Ring movies (for now) in what Matt lovingly calls “The Sadako Phase." Let's 'Ring in the New Year' with our third episode capping off the well of Sadako films.
Showing posts with label J Horror. Show all posts
Showing posts with label J Horror. Show all posts
Wednesday, January 6, 2021
No Franchise Fatigue Podcast: Ring in the New Year! (January 2021) [Ring Franchise Part III]
Hear Matt and Sean defend a film with a 7% Rotten Tomatoes score! Cower beneath the exploding hair of a spin-off! And then listen to them... wait, is that a magic well in Matt's backyard? Matt and Sean spent New Years watching cursed video tapes, and now, almost seven days later, it's time to discuss the final four Ring movies (for now) in what Matt lovingly calls “The Sadako Phase." Let's 'Ring in the New Year' with our third episode capping off the well of Sadako films.
Friday, March 20, 2020
Sadako (2019)
Director: Hideo Nakata
Notable Cast: Elaiza Ikeda, Himeka Himejima, Hiroya
Shimizu, Ren Kiriyama, Rie Tomosaka, Takashi Tsukamoto
In terms of franchises, the Ring franchise still
might now be the wildest – despite intensive efforts to continually reboot it in
some wild ways. It’s a weird one, often perplexing at times, but not
necessarily the strangest one I’ve seen. After a relatively successful reboot
in Japan of the series with Sadako 3D and Sadako 3D 2, the
franchise took a wild swing with the entertaining Sadako Vs Kayako which
serves as more of a “fan service” film rather than a true part of the original
or the reboot franchise. It’s not that surprising then that the latest film, under
the rather confusing title Sadako, also serves as something of a soft reboot.
It’s a film that attempts to go back to the original’s tone and feeling with a
few new themes thrown in as it strips back the wild aspects of the newer films
for something a bit more traditional. This leaves Sadako feeling a bit
anemic in its narrative, repetitive and unmemorable as it runs through many of
the tropes, but disregards many of the other elements that made Sadako and her
films horror classics.
The big reason that fans should be intrigued about Sadako
is that it marks a return to the franchise by its directorial creator, Hideo
Nakata since the disastrous The Ring Two. Dabbling on and off in horror
for the last 20+ years, his track record can be hit or miss, but his return
does perk a lot of interest. Perhaps it shouldn’t be so shocking that the film
is more akin to the original run of Japanese films (including his own Ring
and Ring 2 entries) in tone. It’s a shift that certainly sounds tempting
on paper – being a loose reboot that only hints at being part of the same
universe as previous films. Still, the execution of its ideas seems thin at
best and leaves so much to be desired.
Sunday, March 1, 2020
One Missed Call Trilogy (2003-2006)
ONE MISSED CALL (2003)
Director: Takashi Miike
Notable Cast: Ko Shibasaki,
Shinichi Tsutsumi, Kazue Fukiishi, Yutaka Matsushige, Goro Kishtani, Renji
Ishibashi
Miike is one of those directors that truly can direct damn
near anything and make it his own and, weirdly enough, make it great. The first
– and original – One Missed Call is a prime example of that talent.
While many of its ilk in the J-horror boom of the early 00s focused on a fear
of technology creeping into the realms of the spiritual world, One Missed
Call might feature one of the silliest concepts. A ghost who uses your cell
phone to call you from the near future from the period where it kills you? It’s
borderline asinine. Yet, watching this film is something of a suffocating and
incredibly creepy experience. Miike uses the concept to run with his usual
themes of outsider feelings and the unusual existing in the ‘real’ world and
the combination proves to be downright effective.
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