Saturday, April 11, 2026

Panic Fest 2026: The Burning of Broken Beak (2026)



Director: Christian Carroll

Notable Cast: Briar Rose, Lydia Peckham, Katlyn Wong, Joel Tobeck, Jonny Brugh, Rob Kipa-Williams, Bruce Hopkins, Bala Murali Shingade, Beth Alexander, William Zhang

 

I’m a sucker for a good folk horror story. Throw in some kind of ancient legend, told in rhyme and shown with stylized animation, and put in a touch of body horror, and suddenly I’m doing a skip down the walk in anticipation of seeing it. For The Burning of Broken Beak, writer/director/editor/most everything under the sun Christian Carroll is aiming for something of a modern folk horror tale and he manages to conjure up something that feels like it owes its cornerstones to the folk horror of yesteryears, but manages to modernize in a way that feels relevant and potent for the last couple of years. While the film tends to play things slightly on the safe side with its horror elements until its final act, spending much of its runtime on a murder-mystery plot, it also packs an impactful amount of dynamite into its final act, putting it above and beyond some of its indie genre peers. And it certainly doesn’t feel bird-brained in the process. 

 

Its central character, Emma, played by Briar Rose, returns to New Zealand with her girlfriend from her life as a photographer in New York to attend the reading of her adopted uncle’s will after he is horrifically murdered. However, with a massive inheritance on the line, the family quickly comes into odds with one another. It’s too bad, though, because their squabbles have seemingly unleashed a curse upon the family of the old Māori legend of a human-sized bird who was slaughtered when she stood up against colonists. Now the family is being killed one by one, leaving Emma as the prime suspect. Visions of Broken Beak haunt her, and Emma must uncover whether the curse is real or if there’s more to her family than even she thought. 

 

Replacing the usual old-time period settings of classic folk horror with modern-day New Zealand, The Burning of Broken Beak aims not only to update the genre but also to use the folk tale at the center of its story as a launchpad to speak about modern-day issues. Instead of a village with a religious zealot at its center, the film aims to criticize urban expansion and billionaire CEOs as forms of modern colonization. Instead of a giant bird as the folk story’s tragic central character, it's an alienated young woman ostracized by her family and desperate to find her heritage and place, while people strive to make her the monster. In this capacity, The Burning of Broken Beak is impressive in its parallel writing and use of folk horror as discussion of classicism, racism, and socio-political issues around the environment. It’s smart modern folk horror at its heart. 

 


Granted, The Burning of Broken Beak initially toys with those ideas. Its plot is very much centered around the mystery of a series of deaths. While the film does have Emma seeing the Broken Beak creature, which has an incredible design and is horrifying in its own right in how Carroll shoots those nightmarish sequences, the film initially focuses more on the murder-mystery plot.

 

Quite frankly, the film is well-executed and interesting with this initial approach, but it’s the final 30 minutes that elevate it from good to great. No spoilers here, but the way it ties its characters together and fully interweaves the Broken Beak visions into low-key body horror through Rose’s intense performance is vicious and punchy. The ending may leave some reeling, but it’s the reason to go on the journey, so the characters, narrative, and themes can really sink in. 

 

There are too many modern horror movies that are afraid to go folk themselves, but The Burning of Broken Beak manages to empower the genre to parallel so many modern issues. It pops with its creature designs and execution; there’s a fantastic body-horror element at play; it features a few incredible performances anchored by Briar Rose; and it has plenty of style to boot.  If you love a good folk horror, especially one that is navigating the bridge between urban and rural folk tales, then The Burning of Broken Beak is one to hunt down. 

 


Written By Matt Malpica Reifschneider

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