Sunday, July 26, 2015

Turbo Kid (2015)



Directors: Francois Simard, Anouk Whissell, Yoan-Karl Whissell
Notable Cast: Munro Chambers, Laurence Leboeuf, Michael Ironside, Edwin Wright, Aaron Jeffrey, Romano Orzari

Turbo Kid is a film with so much hype that genre film fans have been foaming at the mouth just at the mention of it. But for me this is much more than that. Francois Simard, Anouk Whissell and Yoan-Karl Whissell, the trio behind RKSS Films, have been at it for years before getting the big break that they truly deserve. The trio’s love affair with the Fantasia Film Festival and SPASM has seen their classic blood and cheese fests such as Demonitron: The 6th Dimension and Ninja Eliminator. These were filmmakers with an undying passion and a dream to make a film that only they could be crazy enough to make. Ever since the 2004 short Le Bagman, which French Canadians are still watching to this day (I have it on right now while writing this!), RKSS’ persistence has landed them their first big budget film and let this one not be their last! The New Zealand/Canadian co-production features actors from both countries and then Michael Ironside to add some veteran American talent in the mix. Our lead Munro Chambers, best known for the years he has been in Degrassi, is our underdog with a dream of his own. Turbo Kid isn’t just a cinematic genre masterpiece, it’s the product of many years of playing with fake blood, guts, and learning along the way.


  
Turbo Kid follows our titular character (who goes through the entire film nameless) in a vast wasteland where water is scarce and is the most desired resource after many years of drought. Humanity is long gone and complete garbage is considered to be gold. Munro’s character lives alone near a playground and survives as a scavenger but his heart is still good. Reading any Turbo Rider comics that he can get his hands on, our lead is then introduced to Apple (played by Laurence LeBoeuf) a strangely happy girl simply looking for a friend. Though wary at first, the two become inseparable until Zeus’ (played by Michael Ironside) goons go looking for more victims. On the side we have Frederic (played by New Zealand actor Aaron Jeffrey) who just lost his brother to Zeus’ vicious “Pool Party” and now the villain has set his goal upon eliminating Frederic and anyone who gets in his way as the wasteland’s water lord. You wouldn’t want to mess with Zeus’ right hand man Skeletron (played by Edwin Wright) either.


While I can’t speak for Chambers with not having seen any of his previous work, he seems to be quite comfortable with his role as it seems to have been made exactly for him. Chambers isn’t just playing Turbo Kid. He is Turbo Kid. When he gets the chance to be in the shoes of his fictional idol Turbo Rider, he unwittingly embraces it to live out a dream in a place where there is none left. Ironside plays the perfect villain but hey, we all know this isn’t the first time. With films such as Visiting Hours and Cronenberg’s Scanners to name a few under his belt, we all clearly know that Ironside can chew up the scenery and this is no exception. The film is wonderfully dressed right down from the set to the costumes such as the primitive club to the gnarly weapons and headgear. Unlike the Mad Max franchise there are no vehicles left so anyone looking for transportation is going to have to invest in a rundown bicycle. Just because there aren’t many people left, doesn’t mean anyone is safe in this post apocalyptic world either. This is a film that proudly sports a body count with our main characters held responsible whether it’s in Zeus' “Pool Party” or battles held out in the dreaded wasteland. Of course, it wouldn’t be a RKSS production without its share of over the top cartoonish and gory violence or its touches of comedy throughout the film. It’s actually quite surprising to say the least of the various collaborations from the Canadian government and other affiliates that all listed at the beginning of the film so fast, it wowed me that so many companies could invest in just one film! In the end it is clear that this is the love child of the RKSS trio more than anything else and these are all pros in the business, including executive producer Jason Eisener (Treevenge, Hobo with a Shotgun, ABCs of Death) who decided to put faith into them.



What else could I say about Turbo Kid really? Francois Simard, Anouk Whissell and Yoan-Karl Whissell maybe new in town in the bigger budget film industry but they have been around for a very long time. The five minute standing ovation at Fanatasia which left the directors in tears was the moment that they realized that they have come full circle. If there is a lesson to learn from this is that dreams don’t just happen. They come from years of hard work, whether it is just a few to over a decade. For this trio, the dream probably never ends because there is no stopping here. They’re only getting started. 

Written By Elise Holmes 

Elise Holmes is not your average writer. Dedicated to her Evil Dead fan site The Deadite Slayer, she is doing Fantasia Fest coverage this year for Blood Brothers! Check out her site HERE!

Saturday, July 25, 2015

Deathgasm (2015)


Director: Jason Lei Howden
Notable Cast: Milo Cawthorne, James Blake, Kimberley Crossman, Sam Berkley, Daniel Cresswell, Delaney Tabron

What happens when you take high school bullying, an immense love for metal, Satanism, tongue in cheek humor, and several doses of complete carnage and stick it in a blender? You get ninety minutes of Deathgasm. Being a complete New Zealand production, the country as of late has been churning out quality that Hollywood could only dream of. The booming film industry has been shining light on the country’s actors, writers and directors including Deathgasm’s Jason Lei Howden. Having dabbled with WETA, the veteran special effects workshop that worked on more films than one can count; Howden was well experienced in working with special effects which Deathgasm shows off in spades. But how does this love affair between metal and horror show its head? And even better, is it a worthwhile ride?  It’s probably best to buckle your seat belt because this is going to be one hell of a ride.

Our lead, 26 year old Milo Cawthorne, plays Brodie, a metalhead who unwillingly moves in with his uncle, aunt, and his jackass cousin. Being an outcast without a break, things seem to change for the better when he runs into fellow metalhead Zak. Along with two friends that Brodie shares his likelihood to get his ass kicked with, the quartet form a new band called, you guessed it, Deathgasm. Cue in Medina, Brodie’s cousin’s girlfriend who takes a liking to Brodie quite quickly. Things suddenly take a turn when Zak and Brodie decide to break into a metal legend’s hiding spot and uncover some ancient pages with notes to a mysterious song. When the two metalheads barely escape after a hostile stranger breaks in after them, they decide to play the song. Well someone better tell these kids that not all songs are meant to be played.


What Deathgasm’s strongest point is that it’s a film that takes two different but related passions and welds the two perfectly together. Sprinkled with humor throughout, Deathgasm is a love letter for both horror and metal fans which is made apparent with the wonderful intro alone! Howden is careful with the film’s humor as the comedic portrayal in the film is seen through the eyes of fans and not ridiculed as an outsider probably would. While it does take a considerable amount of time for the horror to kick in as the story develops, the payoff is huge and the carnage doesn’t let up. References to The Evil Dead have already been made to the film’s diabolical creatures, but I found myself more so comparing them to Lamberto Bava’s Demons. There’s definitely nothing wrong with the film’s cast both as each performs their parts perfectly and carry the film very well. You don’t necessarily need to be a metal fan to enjoy the film either which is a big plus for any horror fan looking for a fix. It wouldn’t be a horror and metal film though without some Satanism. The Fantasia premiere even took the advantage of this with a launch of a new book on the relationship between the media and Satanism if that doesn’t scream it loud enough! You could even say that Brodie is simply trying to fight his own inner demons but summons a whole bunch of them instead which in turn, gives him the ability to get rid of them for good this time. 

In the end, it’s safe to say that Deathgasm doesn’t disappoint. You can’t go wrong with this concoction of humor, horror and metal. You could love any genre of metal or none at all and still come out with your tongue out and metal horns because you haven’t heard or experienced the Black Hymn and its demonic influences until you’ve experienced Deathgasm

Written By Elise Holmes

Elise Holmes is not your average writer. Dedicated to her Evil Dead fan site The Deadite Slayer, she is doing Fantasia Fest coverage this year for Blood Brothers! Check out her site HERE!

Zatoichi Meets Yojimbo (1970)

Director: Kihachi Okamoto
Notable Cast: Shintaro Katsu, Toshiro Mifune, Ayako Wakao, Osamu Takizawa, Masakane Yonekura, Shin Kishida, Kanjuro Arashi


After taking a fairly decent break during my Zatoichi binge, I went back and watched Yojimbo and Sanjuro in prep for this film. Both franchises, despite significant differences in length, expertly hold their own as entertaining and well executed films. Could Zatoichi Meets Yojimbo possibly contain the epic screen devouring abilities of both of these characters and their respective actors? Quite simply, the answer is yes. Quite ridiculously, the answer is holy shit yes. Zatoichi Meets Yojimbo is a film that not only ably blends the style of two franchises, but it makes note to actually surround our protagonists with a plot that is worthy of having both characters meet. Fortunately, the film also doesn’t fall prey to the generic ‘versus’ elements of bringing two iconic characters together…which only makes it better.

Zatoichi (Shintaro Katsu) needs the comfort of his old home after a rough time on his endless wandering adventures. When he arrives though, he finds the town is a shadow of its former glory and torn apart by a yakuza family feud. He also finds that one side has hired a shifty swordsman as a bodyguard for their boss, a nameless man (Toshiro Mifune) who only seems to be out for himself…and stands in the way of Zatoichi righting the wrongs of a town lead down the wrong path.

Slice n' dice.
It probably wasn’t all that hard to figure out a way to inject the nameless swordsman, whether or not he is the same character from Yojimbo which I have seen debated online, into the Zatoichi franchise. Zatoichi Meets Yojimbo still adheres fairly strictly to the formula established by the decade long series albeit with stronger writing and some top notch performances for the two protagonists. For this twentieth film, the plot remains prescribed to include warring yakuza factions, innocents caught in the cross fire, a rogue swordsman, and the beautiful woman caught in a world where she never really wanted to be. These are all things that can, and will, be found in other Zatoichi films and they make their standard appearance here…so fans are certain to find their footing quite quickly in the feature. It just so happens that our nameless swordsman, this time played with dirty anti-hero charm by Mifune, is the rogue swordsman which adds plenty of new depth to a formulaic character role.

Outside of its paint-by-numbers structures and build, the execution of Zatoichi Meets Yojimbo is phenomenal. On screen, the two stars of the film are captivating to watch on their own, but each time they meet – and lovingly refer to one another as monster and beast – it’s like watching lightning in a bottle. Katsu remains as endearing as ever as our titular blind swordsman who adds just enough humor to make his more dramatic pieces punch and Mifune continues to baffle as his anti-hero seemingly wavers in his focus and convictions with such ferocity that he plays the perfect counter-balance to Zatoichi’s character. Director Okamoto seemingly knows how well the two work together and builds a film around the two character tones that it becomes a wicked game of chess with one another.  It works so well that the plot, as formulaic as it is, plays around these two characters who move the secondary characters around themselves as pieces on the board by the second half. It’s a smart move by the writers and director to continually shift the nameless swordsman and Zatoichi roles back and forth within the plot and it makes the film a sort of roller coaster ride of twists and turns. The audience ends up caring for most of the main cast (including some strong secondary characters like a imprisoned man who becomes a sort of side kick to Zatoichi) and it makes the film impactful visually, emotionally, and in concept throughout.

It must also be noted though, for the more action oriented fan base, that Zatoichi Meets Yojimbo is rather sparse on the action set pieces. There is enough to keep the two hour film moving at a brisk pace, but it’s not like our two protagonists repeatedly battle one another. There are a few traps set in place and a solid amount of henchmen find themselves at the sharp end of a sword by the finale, but the film instead plays out the characters are gravitational personalities that battle instead with wits rather than letting them clash swords. By the time the two finally do end up dueling it out in the final act, Zatoichi Meets Yojimbo pulls some pretty fun twists to make it a more philosophy driven clash then one where it’s an extensive and fully choreographed match.

It's a snow show.
In the end, the combined film devouring abilities of Katsu and Mifune partnered with their iconic on screen personalities and a tension filled conspiracy plot make Zatoichi Meets Yojimbo one of the best of both franchises…and being one of the best in the long running Zatoichi series is one hell of a statement. Fans are going relish in the moments that the two have on screen together, but sincerely appreciate that the film makers didn’t just smash the two characters together in a lackluster film affair. To truly delight in what the film has to offer, a solid knowledge of the characters as characters does need to be understood so it’s not necessarily a film for those new to either actors…but for fans it’s a true cinematic achievement.

Written By Matt Reifschneider