Great Dragons Conceal Their Power: Blades of the Guardians (2026) Review

Director: Yuen Woo-Ping

Notable Cast: Wu Jing, Yu Shi, Chen Lijun, Nicholas Tse, Sun Yizhou, Ci Sha, Li Yunxiao, Tony Leung Ka-fai, Max Zhang, Jet Li, Zhang Yi, Kara Wei, Liu Yaowen, Xioung Jinyi

 

Considering the substantial cast and having an icon like Yuen Woo-Ping sitting in the director’s chair for this one, I could start this review out by stating things how Blades of the Guardians is an action fan’s dream come true or that Yuen Woo-Ping has delivered his best film in decades - both of which are true - but I think I want to start this off with a bit more heat. 

 

Thank you, Chinese streaming movies. 

 

Sure, Blades of the Guardians is the big title being released for Lunar New Year, and it’s probably going to slaughter in the international box office. It’s the kind of grandiose combination of spectacle, A-list names, and entertaining action cinema that will appease fans and newbies alike. And yet, as the film played out, using its dusty setting, well-choreographed action set pieces, and broad-stroke classic wuxia characters was not a reaction to the success of low-budget wuxia films on streaming sites like iQIYI. 

 

While the Chinese box office has been dominated by big CGI-focused fantasy-driven wuxia films over the last 10 to 20 years (which is fine for films like Creation of the Gods, but feels unwieldy and bloated for films like Legends of the Condor Heroes: The Gallants), there was something of a counter movement in the streaming sector that pulled away from that. Smaller stories, big characters played by charismatic actors (often names from action films versus fantasy ones), and a focus on strong intimate action featuring plenty of stylish wire-work sword play. Films like Eye for an Eye, Blade of Fury, or Butcher’s Blade have reignited my own love of the gritty wuxia film. 

 

And, dare I say, Blades of the Guardians has far more in common with those films than it does with the fantasy-driven wuxia, and it’s better for it. Yuen Woo-Ping and his team pull away from the bloat that weighed down some of his previous wuxia efforts (particularly The Thousand Faces of Dunjia) and instead drive home a film about heroes, villains, justice, and a whole lot of sword-slashin'. The monsters here are people driven by power lust, not creatures from folklore, and the plotting has far more in common with Mad Max: Fury Road than with the Shakespearean politics of a film like Creation of the Gods. Blades of the Guardians is old-fashioned, brilliant action, slathered in modern spectacle and driven by heartfelt characters. And yes, I will argue that it’s one of Yuen Woo-Ping’s best films. Period. 

 

Go Huo Go: The Grandmaster of Kung Fu (2019) Review

Director: Chen Siyu

Notable Cast: Dennis To, Zhuang Han, Li Ruoxi, Naomen Eerdeni, Li Mengmeng, Liu Aiguo, Gao Xuepeng, Yang Yongfeng, Chu Pangching

 

For martial arts actors, there are a few roles that one can snatch which immediately put them on the map. Most of them are folk heroes of the past, but when Dennis To snagged a role as a “young” Ip Man, he went to A-tier for the fans - even if that film was one of the first Ipsploitation films. Not only did he succeed in that role for the film Ip Man: The Legend Is Born, but he has also returned to the role multiple times and continually found and grew his fan base. 

 

Thus, a few years ago when Dennis To leaped into another key folk hero role as Huo Yuanjia for the film The Grandmaster of Kung Fu, it was easy to feel pretty excited about the prospect. Unfortunately, the film - which was initially released as a streaming exclusive in China - did not receive a US release until 2022 via the Hi-Yah streaming service and through our friends at Well Go USA. 

 

Yet, here we are, The Grandmaster of Kung Fu has finally dropped. While the film suffers from some of the usual issues of modern streaming films, it’s also surprisingly solid and entertaining in how it goes about telling a story that any self-respecting kung fu fan has seen 2000 times. It’s action-packed, tight in its storytelling, and features a handful of great screen performances.