Showing posts with label Peter Ho. Show all posts
Showing posts with label Peter Ho. Show all posts

Friday, September 29, 2017

The Game Changer (2017)

Director: Gao Xixi
Notable Cast: Peter Ho, Huang Zitao, Guli Nazha, Wang Xueqi, Choo Ja-hyun, Jack Kao, Long Meizi

There is a cliché phrase used that says ‘there are two sides to every coin.’ Often, this is in reference to two separate ‘sides’ that are based on the same foundation or part of the same core. But I’m sure you know that. It’s why it’s a cliché phrase. Yet, this was a phrase that repeatedly slid through my head as The Game Changer played out in front of me. It’s a film that’s one part gangster drama and one part outlandish homage to John Woo action films, embedded in the same film. While both sides, the dramatic and the action packed, are part of the same film, they definitely feel as though they are on opposite ends of said same film. Both sides have their own fun details, including some concepts and visuals, but they feel disconnected. For what it’s worth, The Game Changer is still a lot of fun and has plenty of elements to admire, but as a cinematic whole is stumbles in trying to rise above being a silly action film leaving the results as two sides, enjoyable on their own, yet hardly connected.

Sunday, December 18, 2016

The Blood Splatter: 2016 Action Vol. 2 [The Take, The Monkey King, Rabid Dogs]

THE TAKE (2016)

Director: James Watkins


Notable Cast: Idris Elba, Richard Madden, Charlotte Le Bon, Kelly Reilly, Jose Garcia, Anatol Yusef, Jorge Leon Martinez, Eriq Ebouaney, Daniel Westwood, Alex Fondj



When Bastille Day changed its name to The Take for international audiences, I was disappointed that the film would have such a forgettable and meaningless title. Yet, now that I've seen the film, it might be a fitting warning. While The Take is not a bad film by any means, it is a film that is wholly forgettable and rather meaningless despite a concept that should amount to so much more. Throughout the entire film, the script, characters, and concept would repeatedly give the audiences hints of a better film and still The Take tends to flat line when it’s needed. At times, it feels like a Luc Besson action production and when the film is on its A-game, it fits right up there with some of his underrated action gems. However, those moments are few and far between as The Take is missing any kind of chemistry or fun to be had. Sure, Elba takes a few hard ass wise cracks at his would-be spastic thief partner during the duration of the film, but none of the cast has enough on screen pizzazz to sell it. The plot is a decent one, turning current events into a kind of action mystery for our two leads to solve, but it never runs with its social commentary. A corrupt group of people using the heightened tensions of people versus the banking system to cover their tracks? This should have worked as action 101. Yet it just falls into generic action film traps. The biggest problem that arises is that the action is meant to be too Bourne like to capture the badassness that Elba is meant to extrude. It's not terrible like Greengrass or Megaton and his protégé, but it's meant to replicate that style and it undercuts much of the better action that is obviously there.

Friday, December 2, 2016

Sword Master (2016)



Director: Derek Yee
Notable Cast: Kenny Lin, Peter Ho, Yiyan Jiang, Mengjie Jiang

There are a lot of emotions that I had before I even started to watch Sword Master that I had to take into consideration to give this film context. Sword Master is a remake of the overlooked and underappreciated Shaw Brothers wuxia classic Death Duel, a film that easily makes my list for best films from the iconic studio, and it also marks the first collaboration between two powerhouses of Chinese cinema: director Derek Yee and producer Tsui Hark. Even before this film was released, the combination of these facts made this film an emotional roller coaster for me. Derek Yee knows the original material, he was the lead actor in Death Duel, but Tsui Hark has been notorious for over producing films into a sort of CGI nightmare that has undermined plenty of fun films (including the Detective Dee films and the horrendous misfire Flying Swords of Dragon Gate). So even sifting through the context of expectations for Sword Master was a complicated matter, but I kept my hopes up thinking it could end up being the next great wuxia film.