Showing posts with label Maggie Gyllenhaal. Show all posts
Showing posts with label Maggie Gyllenhaal. Show all posts

Wednesday, May 6, 2026

A Stitch in Time: The Bride! (2026) Review

Director: Maggie Gyllenhaal

Notable Cast: Jessie Buckley, Christian Bale, Peter Sarsgaard, Penelope Cruz, Annette Bening, John Magaro, Jeannie Berlin, Jake Gyllenhaal

 

When the trailer for your film features the slogan “Here comes the motherfucking bride” in big bold letters, one might expect that audiences might be prepared for an audacious cinematic experience. The title ends with an exclamation mark. It’s not like it’s trying to necessarily hide the fact that it’s going to be a rather wild ride of a film. Yet, Maggie Gyllenhaal’s second feature-length film, The Bride!, was met with a lot of pearl-clutching and some dismissiveness from critics and audiences alike regarding its messy nature and the bold choices it makes in its writing, characters, design, and overall intentions. 

 

Well, if there’s one thing that I love in a movie, it’s audacity. Whether it works or not, I’ll take a film that swings for the fences and tries to throw its weight around. Given that the Frankenstein mythos, including The Bride of Frankenstein, has been adapted in one million ways for various audiences and with varying degrees of success, please give me something that, as a film, feels as scattered, sewn together, and fighting for life as its characters. To quote one of the iconic film critics, Joe Bob Briggs, “The only sin of a movie, in my opinion, is to be boring.” And The Bride! is certainly not that. Far from it. 

 

In fact, The Bride! might end up being one of the best films I’ve seen this year. It’s absolutely crafted with a sense of rage at the world, where a repeated phrase, “I would prefer not to,” becomes a war cry against expectations, social pressures, and a system built against you. Gyllenhaal takes the Bride of Frankenstein concept, updates it for the modern meta-textural era, and adds a lingering undercurrent of ‘fuck you’ to the conventions of storytelling and cinematic language. Yet, it still manages to feel humane with its characters and honest with its messages, and never feels like it's screaming just for the sake of screaming. There’s a heart beating in this monster, and just like its two leads, you might not always hear it because of what you see on the surface, but it's there nonetheless. 

 

Monday, May 1, 2017

Donnie Darko (2001)



Director: Richard Kelly
Notable Cast: Jake Gyllenhaal, Jena Malone, Mary McDonnell, Holmes Osborne, Katharine Ross, Maggie Gyllenhaal, Daveigh Chase, James Duval, Drew Barrymore, Patrick Swayze, Noah Wyle

When Donnie Darko first came out in 2001, I was entranced. I was a fifteen year old, genre movie obsessed young man and this film spoke to me like Frank the Bunny did to Donnie. It’s a film that’s artistic, fun, insightful, and was perfectly timed for my generation of blooming cinephiles. It’s dark, but still off beat enough in its presence and well executed that it stuck with me through the last decade and a half. As an adult now, the film might be even better as the layers of its distinctively odd Twilight Zone inspired coming of age tale start to open up with repeated viewings and one can see just how weirdly detailed it is at embracing its premise. Fortunately, I’m not the only one that sees the appeal of its artistic and cult cinema blending as Arrow Video have dropped the quintessential release of the film. Those who were fans of the early Richard Kelly work, those new to the film, or those perhaps willing to overlook the strange Hot Topic powered hype that kick started well after the initial release of the film should definitely take another look at Donnie Darko in this latest release. Not only does it properly showcase the film as the piece of cinematic art it is, but it’s a release to impress those who may not even like it .